Icon Diploma Student

Learning to see with the eye of the heart

Posts tagged ‘Archangel Gabriel’

Archangels in Blossom Street (Pt1)

Icon of Archangel gabriel resting on pic of Blossom Street

Archangel Gabriel in Blossom Street York

Kim and Jules run the Blossom Street Gallery, just outside Micklegate Bar in York. They stock my Drawing the Street limited edition prints and in February this year, I called in to catch up with them having finished the icon diploma.

I had a tiny icon of Archangel Gabriel with me which I brought out to show them as I was telling them about the course. One thing led to another and I am now booked in for a joint exhibition of icons and streets next Spring!

I had a few ideas for themes for the icon exhibition, but none were really firing me up, so I sent a request up to the heavens and within the day I had my theme and central icon. I subscribe to a blog by ‘Hokku’ and this timely post landed in my inbox:https://russianicons.wordpress.com/2017/03/20/the-council-of-the-archangel-michael/

Blossom Street Gallery is almost opposite my former school, All Saints, previously called The Bar Convent when I attended. There was a school legend that the Archangel Michael had once appeared there to protect the convent from imminent danger. So, when I saw this icon called ‘the Council of the Archangel Michael, I knew I had found my centre piece icon and my theme ‘A Gathering of Angels’.

A year isn’t long to prepare for an icon exhibition so I got started with the drawings.  It was a wonderful way to focus during what turned out to be a bumpy few months.

 

I made an unplanned visit to my sister in Perth WA who was unwell but I find sketching and drawing icon figures very calming.  I wrote a little about the visit over here.

The Council of Archangel Michael is a rich icon and full of life so I drew the main figures separately in turn. I drew the cherubim below late into the evening while my sister rested. I smile and am so grateful for all the help we are still recieving from these celestial helpers.

pencil drawing of cherubim

Cherubim from the Council of Archangel Michael icon

pencil drawing of young christ and seraphim

Drawing of the young Christ within a circle of seraphim

pencil drawing of Council of Angels

Full drawing ready to transcribe

The overall drawing is too big for me to scan at home but the photo gives you an idea of the overall composition. The finished icon will be just over 40cm square.

Hope you will join me as the rest of this icon unfolds!

Thanks for reading – more to follow soon.

Ronnie

Herald of Spring

Greetings icon friends!

Warmest wishes for Candlemas on Thursday!  Here’s Archangel Gabriel, first icon of 2017.

icon by Cruwys

Archangel Gabriel

This post is short and sweet while I’m gathering my thoughts on varnishing icons…or rather questions. I’d love to hear of people’s preferences – there seem to be so many options yet each with drawbacks.

Bye for now

Ronnie

PS Prints and cards of this icon are now available from Smith York Printers.

Archangel Gabriel – egg tempera on watercolour paper

angel gabriel

Archangel Gabriel on water colour paper

Hello icon friends, While I was recovering from the fractures, I was keen to get my arm painting or drawing again in some way. Since I was pretty limited in my mobility, I decided to make use of some pre-stretched water colour paper which was mounted on a board light enough to handle. I really liked the monochrome studies which we painted in egg tempera on paper and thought I would tackle some different garments as a way of practice before returning to make amends to the hashed up garments of St Francis.

egg tempera on paper

Drawing on to stretched water colour paper

This proved to be a delightful exercise and although it doesn’t have the translucency of painting on to a gessoed board, the results are surprisingly soft and gentle. It is also a great way of practicing if you don’t have an icon board to hand.

Underpainting garments, hair and face

Underpainting garments, hair and face

The paper is 300gsm Fabriano cold pressed water colour paper, which accepts the pigment really easily once it has been stretched. I dampened the paper again where I was painting large areas which helped to blend the pigments.

adding pigment to hair and wings


Underpainting the wings and adding membrane to hair

For the garments, I chose English Red Deep with a little Raw Umber and for the wings, I chose French Ochre Havanna with a dash of English Red Deep. The blue in the garments and hair band is Ultramarine Blue light with a dash of Raw Umber and the background is the same blue but with a little Ivory black added.

4a  angel

Adding membrane to the face and to garments

5a angelapply facial highlights

applying garment highlights

applying garment highlights

Highlights added to garments and face

Highlights added to garments and face

Applying gold leaf to the halo and wings

Applying gold leaf to the halo and wings

Prints and cards of Archangel Gabriel are now available to buy from Smith York Printers

An Archangel for Christmas

Archangel Gabriel on Watercolour Paper.

egg tempera painting

Archangel Gabriel on watercolour paper

Christmas greetings icon friends!

A few lines to say thank you for your companionship during my first year of icon painting. It has been lovely to have your quiet support and interest encouraging me to keep on posting and writing up notes etc!

There are a few more video clips of Aidan Hart’s in-class demonstrations over on You Tube and I have written up some supporting notes to go with them. These are not direct transcripts, simply notes to help as you try out the various stages of painting.

https://www.youtube.com/watch?v=N3a6puiMDuQ Aidan Hart demonstrates underpainting for the Membrane Technique Click here for Notes

https://www.youtube.com/watch?v=XaSi-WVHGaY Aidan Hart demonstrates applying flesh membrane to icon bust Click here for Notes

https://www.youtube.com/watch?v=Hr4R8BzMpPc Shadows and highlights on garments using membrane technique Click here for Notes

https://www.youtube.com/watch?v=CiFkJrsDS1s Aidan Hart demonstrating halos

https://www.youtube.com/watch?v=mFG-XxPqiSI Aidan Hart demonstrates painting Mandilion hair

https://www.youtube.com/watch?v=QbwE0QY1aOw Aidan Hart demonstrates painting garments Click here for Notes

I have enjoyed the monochrome icon studies on watercolour paper and thought I would have another go at the Archangel Gabriel based on the Annunciation of Ustyug. I stretched some Fabriano Artistico paper and painted using the membrane technique. The colours are much softer on paper – lines are not quite as crisp unless you go over them several times. However, it is a great way of practicing if you haven’t got a board prepared.

1 Angel gabriel study

Underpainting: the face is in Terre Verte and a touch of Yellow Ochre Maimeri, garments and wings in a mix of English red ochre, French ochre Sahara and Avana.

Yellow ochre Maimeri eith titanium white and red ochre light

Membrane applied to flesh parts.

Building up the hair and facial highlights.

4 Angel Gabriel study

Highlights added to wings and sleeves

Preparing to gild

Preparing to gild using Roberson’s gilders size – applied over the halo which has undercoat in red ochre.

Gilding the halo

Gilding the halo. Applying final facial highlights

9 Complete Angel Gabriel study

Finished angel with halo, staff and lettering.

It is a better attempt than my last one but there is a long way to go before I become fluent and produce anything nearly as elegant as the original. All the same, it comes with my very best wishes for a happy, peaceful and blessed Christmas wherever you are in the world. Thanks for reading.

Happy Christmas, Ronnie

Gabriel at Large

Gabriels face appears

Gabriels face taking shape

Hello again icon friends,

The image above represents a quick sidestep past another effort which ended up in the experience bin. I had started this stage quite pleased with my decision to stretch myself by working on a larger image. I transferred the outline of my final drawing of Gabriel on to A2 sized paper which gave Gabriel the space to outstretched his arm in full.

Transferring the final drawing

Transferring the final drawing on to unstretched A2 Fabriano Artistico watercolour paper

On went the image using a sheet of paper which I had rubbed with Armenian red bole (a red pigment) to act as transfer paper. Then I painted lightly over these lines to fix them.

Painting on the outline

Painting the outline on to the paper

So far so good. However, as I washed over the larger areas, the paper began to cockle.

Image of Gabriel 1

Image of Gabriel 1

I then got caught up concentrating on the face rather than building up the image lightly and evenly as a whole. I looked at the face in comparison with the original and decided I had gone so far adrift that it was only paper and I should start again, and start properly. I am sparing you a larger image of my first Gabriel who looks rather stern!

Gabriel looking nothing like the original!

Gabriel looking nothing like the original!

So, down to the DIY shop to buy an MDF board cut a little bigger than A2, together with some water colour tape and this time soak the paper in the bath for a few minutes, tape it to the board and let it dry. By this stage I had had enough, so I left the board and wet taped paper flat on the floor overnight and by morning it was dry and had stretched beautifully!

Gabriel with a softer face

Gabriel with a softer face

This time, I tried to develop the whole figure and garments at the same time. There are numerous mistakes with the garment folds which I realised as soon as we got the handouts on our next Icon session but at least I can see where I have gone adrift.

I have attached Aidan’s handout notes on painting standing figures and garments if you would like to find out more on this subject. I am concentrating on our homework for the time being but will come back to Gabriel in a few more weeks.

Day 7 Aidan Hart’s handout on standing figures 24 Feb 14

Adding shading to define the forms

Adding shading to define the forms

Gabriel underway

Gabriel set on the A2 paper

Thanks for reading!

Meet my mistakes!

Annunciation of Ustyug, Novgorod, 12th Century

Annunciation of Ustyug, Novgorod, 12th Century

Hello icon friends,

It is one thing hearing how to do something and another altogether applying it via the end of a brush or pencil. I set out to try another upper body monochrome of the Archangel Gabriel from the beautiful image of the Annunciation above and in the course of this I have befriended a whole group of mistakes – let me introduce a few!

I lightly sketched out the image ready to paint over but saw immediately that I had run into difficulties. First of all, I didn’t get the overall composition right.

Preliminary sketch of Gabriel

Preliminary sketch of Gabriel

I had set out the upper body study on A3 paper but in doing so found I had cut off the hand. This seemed to lose the whole point as the hands are so expressive of the whole message that the image contains. Looking at it now, for this exercise I should have zoomed in and concentrated on the face and upper arm, but I had started so I carried on.

Sketch comparisons

Sketch comparisons, finding the centret to identify where I am going adrift

Secondly, I couldn’t get the face, in particular the eyes, quite right.  I did a cross check between the original and my drawing by forming a simple square to enclose the head, then joined the diagonals to find the centre point of reference. I was pleased to see that the point landed in exactly the same spot on my drawing, but it showed immediately where the rest of the face had gone astray. The nose leant too far over and the eyebrows had fallen down.

Adjusting the features but there is still something not right

Adjusting the features but there is still something not right – the eye on the right and the tilt of the head?

After a few days away from this drawing, I still couldn’t quite see where they were going adrift so I traced over the original eyes to clarify their shape and laid them over my drawing.

Tracing the profile of the originals to identify where I am going wrong

Tracing the profile of the original eyes to identify where I am going wrong

One slight move of of one feature has repercussions elsewhere so the brows, nose, mouth, cheek profile all got adjusted and brought into alignment. I suppose that speaks on another level too, to always go back to the source to bring something of ourselves that is out of step back into alignment.

The eyes on the left after being adjusted.

The eyes on the left after being adjusted.

Sketch of Gabriel near completion

Sketch of Gabriel near completion

With all the rubbing out and rearranging I had made quite a mess of my paper. I thought hard about all that I had learnt and decided that I would take a bit of a leap and redo the whole image again but on larger paper. So, next time I will tell you about how I made a fresh crop of mistakes as I move onto A2 paper. Thanks for reading!