Armenian Nativity on Vellum

Armenian Nativity on Vellum
Every now and then, I come across a manuscript or icon that captivates me. This is one of those pieces. The original can be seen here attributed to Toros Roslin, the 13th century Armenian illuminator.
Although I’m currently working on a large nativity icon for the diploma (which we have to compose ourselves rather than copy)Â I side-tracked to paint this particular nativity scene on vellum as Aidan has encouraged us to study other icons to really get into the essence of the feast we have chosen.
Some 12 years ago, I went to Patricia Lovett’s Traditional Skills and Gilding course, which she ran over four days. I learnt how to stretch vellum and to prepare it for painting and gilding and she ignited an enthusiasm for this art which helped direct me towards embarking on the icon diploma. I had a piece of goatskin vellum from William Cowley already stretched on to a plywood board ready for painting so I set straight to work transferring the cartoon on to the vellum in the same way as I would for an icon, by rubbing red pigment in to the back of the cartoon paper, then setting the pigment with a watery red ochre line.

Transfer the cartoon on to the vellum
Next step was to lay the gesso for gilding. When we were on Patricia’s gilding course, she advised us to make detailed notes on the method. For anyone who would like to learn more, my notes from one of the gilding days are here and I would also recommend Patricia’s books and dvd’s on gilding available through her website. The ‘Gilding gesso on vellum’ notes can be downloaded as a pdf here.

Caput mortum used for the earth and shepherd figure

Laying gesso for halos, irregularities to be scraped and burnished then gilded.

Note the pin prick holes in the gesso that shouldn’t be there!

Applying the first layer of loose gold leaf

Layers of azurite and lapiz applied to reach a deep blue within the cave
First wash of Caput Mortuum pigment applied on the earth and shepherd.

Close up of the tiny faces of the Blessed Virgin and Christ child

Completed illumination on vellum of the Armenian Nativity
Colour palette: Caput Mortuum, Azurite, Lapis lazuli dark, vermillion, terre verte, ivory black and titanium white.
All these pigments can be obtained from L. Cornelissen & Son, Great Russell Street, London where this piece is now on display as part of the Heritage Craft Association‘s exhibition with Cornelissen’s celebrating ‘Gold on Parchment’, for the upcoming London Craft Week, where some practical demonstrations will be taking place.
Thanks for reading!
Ronnie
2 Responses to “Armenian Nativity on Vellum”
Love this article. Am in Denver. Off to St. John’s Cathedral to spend the day with the Bible and Kirkin’ of the Tartans. And a friend. More later.
Love.
Gay
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Wonderful Gay! Thanks. Always great to hear from you! Ronnie