Icon Diploma Student

Learning to see with the eye of the heart

Posts tagged ‘Archangel Michael’

Archangels in Blossom Street (Pt1)

Icon of Archangel gabriel resting on pic of Blossom Street

Archangel Gabriel in Blossom Street York

Kim and Jules run the Blossom Street Gallery, just outside Micklegate Bar in York. They stock my Drawing the Street limited edition prints and in February this year, I called in to catch up with them having finished the icon diploma.

I had a tiny icon of Archangel Gabriel with me which I brought out to show them as I was telling them about the course. One thing led to another and I am now booked in for a joint exhibition of icons and streets next Spring!

I had a few ideas for themes for the icon exhibition, but none were really firing me up, so I sent a request up to the heavens and within the day I had my theme and central icon. I subscribe to a blog by ‘Hokku’ and this timely post landed in my inbox:https://russianicons.wordpress.com/2017/03/20/the-council-of-the-archangel-michael/

Blossom Street Gallery is almost opposite my former school, All Saints, previously called The Bar Convent when I attended. There was a school legend that the Archangel Michael had once appeared there to protect the convent from imminent danger. So, when I saw this icon called ‘the Council of the Archangel Michael, I knew I had found my centre piece icon and my theme ‘A Gathering of Angels’.

A year isn’t long to prepare for an icon exhibition so I got started with the drawings.  It was a wonderful way to focus during what turned out to be a bumpy few months.

 

I made an unplanned visit to my sister in Perth WA who was unwell but I find sketching and drawing icon figures very calming.  I wrote a little about the visit over here.

The Council of Archangel Michael is a rich icon and full of life so I drew the main figures separately in turn. I drew the cherubim below late into the evening while my sister rested. I smile and am so grateful for all the help we are still recieving from these celestial helpers.

pencil drawing of cherubim

Cherubim from the Council of Archangel Michael icon

pencil drawing of young christ and seraphim

Drawing of the young Christ within a circle of seraphim

pencil drawing of Council of Angels

Full drawing ready to transcribe

The overall drawing is too big for me to scan at home but the photo gives you an idea of the overall composition. The finished icon will be just over 40cm square.

Hope you will join me as the rest of this icon unfolds!

Thanks for reading – more to follow soon.

Ronnie

Just a little triptych please? No rush.

tryptich icon by ronnie cruwys

Tryptic of Blessed Virgin Enthroned with the Christ Child surrounded by Archangels Michael and Raphael

I’m ‘Number 5’ in a family of six and we straddle the globe from USA to Australia with me here in the UK. We all ask each other favours every now and then, but I think this has to be the slowest request ever to turn around for my dear sister Anne! It was nine years ago that she asked me to paint her a ‘little triptych’ – I was still a brunette back then!

Aidan has suggested that if you are asked to paint an icon that you know nothing about – just go ahead and do it, and learn as you go. This is what has happened here. Saying yes to this request has drawn me into the world of icons, leaving the day job behind. I was relieved when Aidan accepted that these could be part of my set diploma pieces of standing and seated figures, which has meant that I have been able to learn as I go with Aidan’s guidance.

Dylan Hartley, Simon Morris, Ronnie Cruwys with triptych

Right to left: Dylan Hartley, Simon Morris, Ronnie Cruwys

Today I went to collect the finished icon from the workshop where Dylan Hartley made the oak boards, hand-carved the kivotos and gessoed it for me and where Simon Morris of Smith York Fine Art Printers has photo-scanned it, spending hours getting the studio lighting just right so as to reduce the glare from the gilding. Simon has scanned all the icons on this website as well as the printing for my street drawings over at Drawing the Street.

I have written a little about this triptych before in an earlier post when I began work on it here  and as I began to paint here. Further notes on painting the garments here.

Virgin and Child

Blessed Mother and Christ Child

As always with a finished icon, you see so many places which could do with revisiting. Faces and hands are my  weak spots. Feet too, but the slippers help!

The icon will be up in the PSTA Diploma Show in London next week, then will be part of the ‘Spirit Matters’ exhibition in Cornelissen’s window from 25th October to 16th November. From there it will make its way to Australia  where it will be part of Anne’s prayer corner in her home. We all have a lot to be thankful for but especially me with such a loving and supportive family and this sister in particular – I’m so glad she asked!

Thanks for reading,

Ronnie

anne and Ron

Sisters!

Drawing Heavenly Bodies: Virgin and Child Enthroned with attendant Archangels Raphael and Michael

pencil drawing of icon of virgin and child enthroned

Cartoon of the Virgin and Child Enthroned

Hello icon friends,

The summer before I embarked on the icon diploma course, I asked Aidan if there were any practical steps I could take to help my ability as a student icon painter. His answer was immediate: ‘Learn to draw!’ So I signed up to a really good local drawing class with David Brammeld and a year later Drawing the Street was born, not long before I was accepted on the Diploma course.

Drawing is becoming a way of life for me and I am always exploring ways to develop. There are many online classes and one which I have found refreshing and energetic is Sketchbook Skook

In the meantime, there is so much to learn with icon painting that I thought that I could share my cartoons of the figures for the triptych I’m working on, which might help you get started with your own icon studies.

You should be able to save these drawn images to your computers and print them off on A4.

The four images of the Angels of Chora are all borrowed from Aidan’s library. I hope to be able to credit the photographer in an update to this post.

Meanwhile, happy drawing!

Ronnie

pencil drawing of angel of Chora

Archangel Michael after one of the Angels of Chora

pencil drawing of Archangel Raphael

Archangel Raphael line drawing after one of the angels of Chora

Now for the full size images:

Virgin and Child Enthroned line drawing low res

angel of chora pencil drawing

Full length drawing of Archangel Michael taken from an angel of Chora

pencil drawing of Archangel Raphael

Archangel raphael full length line drawing

Image of Angel of Chora

Angel of Chora image courtesy of Aidan Hart’s image library

image of Angel of Chora

Angel of Chora images all courtesy of Aidan Hart’s image library.

Angel of chora

Angel of Chora images all courtesy of Aidan Hart’s image library.

angle of Chora black and white

Angel of Chora – images all courtesy of Aidan Hart’s image library.

Angels of Chora

Archangel in Monochrome

Face of Archangel Raphael in a monochrome study

Warmest greetings icon friends!

Our summer visitors have all gone home, my dissertation for the icon diploma has been handed in (more on that in another post) and our icon classes resumed last week with Aidan Hart in time to celebrate the feast of St Michael and All Angels.

Having spent a couple of months away from the paintbrush, I felt I would benefit from painting a monochrome. Besides, I had already stretched some 300gsm watercolour paper (Fabriano Artistico hot pressed), and had the images already prepared in outline.

painting the lines of st Michael in monochrome

First lines applied on Archangel Michael in English Red Light pigment

These are the same images of the Angels of Chora which I am using in my triptych (see previous post).  I haven’t painted the faces on any of the figures in the triptych yet, so these monochromes have been helpful in getting me back in the painting groove.

Modelling icon garments

Building up the layers of pigment to model the garments.

archangels Raphael and Michael

Background added of pure azurite pigment

I really enjoy painting monochromes. It’s relaxing not having to think about colour and to simply concentrate on the form, looking at the areas of light and shade. I also wanted these studies to stand on their own, so I gilded the haloes and garment highlights.

If ever you feel daunted by the prospect of painting an icon, this is a really good place to start.

I love the deep blue-greys of the Chora angel backgrounds. They give a wonderful feeling of a heavenly sky. It is quite a challenge to match colours, for one thing, even if you know that the colour used was azurite, this can vary according to the quality of the stone and where it was mined. For these studies, I applied over a dozen washes of azurite – the pigment which I ground from a small rock bought from Burslem Lapidary shop, then a few washes of Indigo from Cornelissens.

I used acrylic gold size, applied in two layers, then after ten minutes or so, I applied some transfer gold leaf (from Wrights of Lymm) once it had gone tacky. If you add a pinch of red pigment to the size, it helps to give some depth to the background as well as show you where you’ve painted.

gold transfer leaf

Adding gold leaf to Archangel Michael’s halo

After applying the gold leaf to the halo, I then used a compass with a dip pen attachment to draw a circle to frame it. This is fiddly and I haven’t mastered it at all yet and ended up with a line thicker than I intended.

thick line around halo

Halo line a bit too thick.

I had used a sheet of cardboard over the image to protect the face/paper from getting a compass puncture mark right in the middle of Raphael’s brow. The thickness of the card had a knock-on effect of dislocating my circle by a few millimetres – I will try a sheet of acetate cut to size next time.

Here are the finished studies. They are not the best photographs but hopefully give you an idea of the end result.

monochrome archangel Michael

Complete study of  Archangel Michael

Archangel raphael

Complete study of Archangel Raphael in monochrome

That’s all for now.

Many thanks for reading. Ronnie

PS Aidan has recently been filmed whilst painting an icon and has been included as part of Simon Schama’s Face of Britain series.

PPS Prints and cards of Archangels Michael and Raphael are now available from Smith York Printers.

More on the Triptych: Azurite on Archangels Raphael and Michael

azupainting icon with azurite pigment

Azurite blue pigments on the icon of Raphael and Michael

This is a very short post as I am not long back from the icon course. Tomorrow I am meeting my American family, then we are all heading up to Scotland for a week. It will be a while before I can post again so here are a few pictures of work in progress taken during our latest icon session.

angels egg tempera

Figures of Archangel Raphael and Michael, building up washes and highlights.

TRIP 5a

Adding indigo to low lights increases depth in the fabric.

Trip 6

Adding a background and wings

wrapping up on day 3

Wrapping up on day 3

details on the cloth

details on the cloth

That’s it for now – good night all and thanks for reading.

Ronnie

Triptych begins

Bole and water gilding a triptych

Gilding a Triptych

Hello Icon Friends,

I’ve begun work on a triptych for my sister Anne, in Australia. She made a lighthearted requests some 7 or 8 years ago, saying how much she would love to have one of those icons that ‘open out’. I never forgot her wish and it was wonderful when Aidan confirmed that standing and seated figures were part of the curriculum so my triptych could be included in the course work.

triptych treated with cuprinol

Treating the oak with Cuprinol

Dylan Hartley, in Ironbridge hand-made the quarter-sawn oak panels and gessoed them ready for me to sand. With the great benefit of hindsight, I should have asked him to treat them with Cuprinol in the workshop so they could be covered evenly on all sides – but it was only when I thought about posting the boards to Australia that I realised they would need to be treated due to their strict import regulations. A few days after I had applied the treatment and varnished the oak, the boards warped but the gesso was unharmed – no cracks.

sketch drawings for triptych

Planning the triptych layout: Upper panels include the Holy Face in the Mandilion, with Bethlehem and the New Jerusalem either side.

Anne had told me what she had in mind for this triptych: Arhcangel Raphael (the Shining One who Heals) and Archangel Michael, the Warrior, either side of the Blessed Virgin and Child. Aidan introduced me to the magnificent angels of Chora to adapt to fit the side panels – the original wall paintings fit in tapered panels set within a domed ceiling.

angel of chora

Detail of one of the Angels of Chora

Next stage was to prepare the gessoed panels by sanding in sequence through the grades of sandpaper from 80 grit to 1200 grit to prepare for water gilding. it took the best part of three full days to sand and bole the boards ready for gilding.

sanding the gesso

Sanding off the scratches and bumps in the gesso

sanding gesso

Sanding back too far

With all the irregular surfaces and curves covered in gesso, it was difficult to sand back enough to articulate the shapes without also revealing some of the linen scrim. As soon as I saw the scrim, I avoided the area and only smoothed it with the finer grades of sandpaper. It eventually covered (almost) under 13 layers of bole.

bole on triptych

Bole applied to triptych

It is very fiddly to apply layers of bole around narrow spaces so this time I masked the whole area out with masking fluid with a little added pigment.

masking gesso

Masking out the gesso before applying the bole

Before removing the masking fluid, I scored the edges to avoid lifting the bole.

Removing masking fluid

Removing masking fluid by scoring a clean edge with a sharp blade.

More on gilding in the next post – with a few tips on what not to do!

Thanks for reading,

Ronnie